Curator of new show tackles racial stereotyping using depictions of scenes of colonial life in the Caribbean and South America
Exploring Leicester Museum & Art Gallery 12 years ago, trainee curator Tara Munroe came across a stack of discarded oil paintings. The troubling scenes they portrayed would go on to change the direction of her career and may soon alter wider attitudes to art history.
The paintings depicted wealthy colonial life in South America and the Caribbean, and had been marked for destruction by the gallery. But the images, which each subtly grade racial and social distinctions, spoke clearly and powerfully to Munroe.
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